shadley.com - Jeff Shadley

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DomainsData.org: Jeff Shadley

Title:

Jeff Shadley
Age:

18 years old
Alexa Rank:

17,126,666
Total Sites Linking In (Alexa):

1
Domain's IP Country:

United States
Status Code:

OK
IP Address:

192.237.170.246
Description:
Keywords:

shadley.com Whois Information:

1.

Domain Name:

shadley.com
2.

Domain Age:

18 years old
3.

Name Server 1:

ns61.worldnic.com
4.

Name Server 2:

ns62.worldnic.com
5.

Created:

Wednesday 07. January 1998
6.

Expires:

Saturday 06. January 2018
7.

Domain Registrar:

Network Solutions, LLC.

Website Important Html Tags:

TAG
TEXT
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Power is not essential for Jazz. Jazz doesn't seem to require a deep throbbing Bass Drum to get its message across. What delicate accents are added to Jazz's higher-tuned Bass Drum are spontaneous rather than regular. Power doesn't seem to require extraordinarily loud volume levels in order to create excitement. When Jazz recordings are processed, the tracks don't have to be as "loud" as in certain other types of music.
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Jazz doesn't seem to require much in the way of stress. You don't have to scream jazz to say something meaningful. You can scream if you want but there's not much evidence to suggest that you will garner more fans. The preceding comments are not intended to belittle other music like Rock and Roll. I've tried to play Rock and Roll. There is a right way to do it and my experience is that most Jazz musicians don't know what the right way is.
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Jazz music generally requires a degree of technical facility. You pretty much have to be able to play your ax.
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Jazz music generally requires a deep understanding of music theory. Jazz even has a theory that is all its own. There are ways of making and analyzing music that are unique to Jazz.
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Jazz is personal. Like Rock and Roll, the very best recordings of Jazz are not performed in a large Concert Hall with has a theory that is all its own. There are ways of making and analyzing music that are unique to Jazz.
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Jazz seems to allow for moments of vulnerability. For example, it's not uncommon to hear dynamics in Jazz. (in this case, the word "dynamics" refers to a change in the overall loudness of the performance.)
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Jazz music seems to have some degree of ambiguity to it. Chords are constructed in such a way that they could mean any one of several things depending on their context. This is why some many chords in Jazz are built on 4ths and why many chords are spelled much the same and only the Bass notes clearly defines which chord we are talking about. Even bass lines are
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Jazz music is compressed. In my lifetime, mankind has invented the technology for transmitting highly compressed images over networks. Some networks are simple phone lines. To get images through the network quickly, it just makes sense to "compress" the image first. A great way to compress an image is to identify aspects of the image that repeat. If you can do that, you don't have to send the repeating part every time. You just have to tell the receiving computer "remember that bit of data I sent you a little while back? Ya? Well, I'm not going to send it to you again because it's too long and besides, you should already have it so please put that data again." So Jazz is like that. Rather than play stuff you already know, Jazz explores new melodies and new treatments of the music; variations if you will.
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Related to the topic of compression is the idea that Jazz musicians always strive to give you something original. I remember hearing about Glenn Fry of the Eagles telling Randy Meisner something like "You gotta sing
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Also related to the topic of compression is the fact that you can't listen to any 5 second chunk of Jazz and get much of anything from it. Because everything is "compressed", you have to know where you are in the "form" to understand what's going on. My ex-wife's Mother is a dear sweet woman who is highly intelligent and a superb learner of languages other than her native language; English. She has always be open with me about the fact that she doesn't enjoy listening to Jazz music. After talking with her a while, I realized that she wasn't able to keep track of where the music was in the "form". Improvised jazz typically plays the melody one time at the beginning of the tune. This is the statement of the form. Unlike other forms of music, the form (or chord progression) is assumed to be the same for each chorus and your brain has to know where you are in the form. If you only listen to a short 2 or 3 second cross section of the tune, you can't know where you are. The notes and chords will be different every time through the form but it is assumed that you know what chord went there originally. Unless you can do that, jazz is pretty well meaningless. It's no
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Jazz is genuine. Improvising takes every bit of skill and intellect you have. The minute you master some lick or style, it's time to move on and try to grasp the next one. But this is good. When you improvise to the highst level that your abilities will allow, there is no way to censor the sound that comes out. What people hear is really how you feel at that very moment. As George Burns, Groucho Marx, Samuel Goldwyn are all credited with saying (and I'm paraphrasing here).

shadley.com IP Information:

1.

Ip Address:

192.237.170.246
2.

Country:

United States
3.

Status Code:

OK
4.

Region Name:

Texas
5.

City Name:

San Antonio
6.

Zip Code:

78218
7.

Speed test:

50.9 ms

shadley.com Alexa Information:

5 Websites linking to shadley.com:
myconferenceresource.com

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Top Keywords from Search Engines:
somehowjazz

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